The Sequenza-Series is considered to be one of the most important cycles of the 20th century. Luciano Berio: Sequenza I for flute | UE November Berio’s Sequenza I has been a part of the modern flutist’s cannon ever since it’s publication in by Zerboni in Milan. The. Berio Sequenza Audio Recording and Saunders Bite. Posted on . Luciano Berio’s Sequenza no.1 for flute is one of my favorite pieces.
|Published (Last):||9 December 2011|
|PDF File Size:||8.74 Mb|
|ePub File Size:||8.32 Mb|
|Price:||Free* [*Free Regsitration Required]|
Works for Flute Solo. Flute Visions of the 20th Century. But contact me or Rebecca first, because she has made significant changes to the score since my last performance in Berlin September which I am not sure Ricordi has published yet. This juxtaposition of regulated versus improvisatory musical materials, however, was not the main impetus behind Sequenza I.
Berio notated the piece so that an individual staff line has a fixed duration, while the durations of individual notes are indicated proportionately–that is, a small distance between one note and the next denotes a short duration, whereas a greater distance denotes a longer duration.
The recording is available through the Musikfabrik Label, which is a digital platform that offers multiple download choices — please browse the catalogue, you might find other recordings that interest you!
Here is the link. So I warm up, play Bach for sound, articulation, style and focus. The main glute is that my body feels soooo much better when I keep my practice time to only a few hours a day.
In free-tonal music there is also a hierarchy of intervals, the most important points of orientation being the prime intervals octaves, fifths, fourthsespecially when they form tones that draw attention to themselves. In general, there are rules of thumb for atonal solo works. Drinking Hanging Out In Love. Romantic Evening Sex All Themes.
So how do you prepare, follow the score or the recorded performance? Like Berio’s successive solo works–and apart from certain rhetorical-historical commentary that may be present in these–Sequenza I embodies a quest for counterpoint and harmony through the means of a single melodic line. Being a creature born myself in midth century, I am hoping the good people of Universal Edition will forgive me. Well, I have news for you, Sr. The video has not been issued yet, but I hope that when it comes out it will offset my disquiet.
Share on facebook twitter tumblr.
Berio | Helen Bledsoe, Flutist
Seqeunza recently did I come to know she composed herself. But the Dutch premiere is scheduled for the Concertgebouw May Then for the rest of the day I do my Helen stuff, read, hang out with family, watch dumb and smart stuff on Youtube, study Jazz.
Often there are rapid, virtuosic passages punctuated by the stillness of a gerio note, where the quality of sound and the relationship to its environment are of utmost importance. The symmetrical chromatic scale gives way to more complex collections of notes; these more complex gestures are incorporated into the work in a way that provides the impression whole blocks of notes in counterpoint with other blocks.
I lluciano performed the piece several times, and have no exclusivity — except for in the Netherlands Sorry! Luciano Berio’s Sequenza I for flute is an example of a partially indeterminate musical form. I am allowing myself a luxury.
Luciano Berio: Sequenza I
I am unashamedly playing from the old edition. There is an unwritten book inside me about this work, but for now I would like to consider one aspect of the work that often gets ignored: Specifically for the SequenzaFoute consider the soul of the work to be in the long, held-out notes.
The melodic and harmonic content of Sequenza I grew out of Lkciano serial-influenced language, resulting in a highly controlled employment of pitch.
Spontaneity in performance, then, comes from the moment-to-moment adjustments of rhythm and performance gesture called for by Berio’s suggestive–rather than prescriptive–notation. Genre Chamber Music Classical. Streams Videos All Posts.
Sequenza I, for flute
I find it very revealing though. Family can be stressful, my son is at a difficult age, I myself am at a difficult age. Sustained pitches are set against fast passagework, high is set against low, aggressive against introspective: AllMusic Featured Composition Noteworthy.
Her theatricality, her agility, never cease to inspire me. Nevertheless, neither you nor I can assume that a work without a traditional tonal center and without traditional harmonic relationships is devoid of centers and relationships entirely.
I love her recording of the vocal Sequenza too, but I beeio came across a recent recording of the Sequenza no.