The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon ( – ), is a The exercise is then repeated in reverse down two octaves to the starting C. The exercises are intended to be practiced in groups of three, except for the. Hello there all you beautiful, intelligent purveyors of music. I’m progressing very well indeed on the piano practicing at least 2 hours a day. Page 1. Hanon #2. Ascending. Ascending. 1 2 5. 12 5 4 3 4 3 2. Piano. 2:{.:•••• ..•••••••••••••••••••.:•.•.. 5 3 1 2 3 2 3 4. 5 5. 6s. ••. ด •••••. 6.

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The aim is to train fingers 3 and 4, not making 5 and 4 jump.

Piano Technique Exercise N°2 – Piano finger exercises in all keys

This article needs additional citations for verification. The fingering remains constant in all keys.

The fingering remains constant in all keys. How to practice piano more effectively: Dorothy Taubman is one of the well known pedagogues who campaigns against technical exercises, asserting that they do far more damage than good.

First exercise from the Virtuoso Pianist. If you played it easily, and precisely with the metronome, move the tempo up one notch. You may promote Hanon exercises by printing and sharing the PDFs.


Piano technique exercise N°2 in D

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Some detractors, such as Abby Whiteside have dismissed the very notion of finger independence which they are intended to encourage, insisting instead that only a technique based on the use of the humerus can be effective.

You can also transpose Hanon exercises within the cycle of fifths. Play staccato, play legato, and play two-note slurs. Continue to practice in this way until you reach bpm. The Virtuoso Pianist by C. Special exercise for the 3 rd and 4 th fingers hanob the hand. There is nothing more dulling than hours spent mindlessly going over finger patterns.

Adobe Acrobat Document 1. David Hankn, 18 May Practice this exercise slowly in the hano metronome on PDF Format – pages – Piano exercises. This assures a smooth ascend. Hao Huang believes that “Hanon, Schmitt or Czerny have been banon for beginning pianists, affording variety as an alternative to endless practicing of scales and arpeggios” but warns against “the idea of technical exercises as panacea”:. The exercises are divided in three parts:. Ganon [1] argue that practicing in an unmusical way dulls one’s musical instincts, especially when forced upon children and beginners though in the introduction he does state that the book should be begun a year or so after beginning piano studywho need to cultivate their musicality rather than inure themselves to rote physicality.


Thank you for your answer. Fundamentals of Piano Practice Blog. As you practice, vary the touch.

If you played it easily, and precisely with the metronome, move the tempo up one notch. The Piano Education Page.

The jumps for both hands are done between fingers 1 and 2. From Wikipedia, the free encyclopedia. May Learn how and when to remove this template message. I tell my students to use finger 4 as you suggested. Special exercise for the 3 rd and 4 th fingers of the hand.